I’m a huge fan of ambient textures and their use in post rock, progressive, & experimental genres. I’ve found that these textures are functional in worship; however, the content of the ambience can’t be the same.
English: Close-up of the Transducer inside a Spring Reverb Tank. Català: Detall del Transductor a un contenidor de Reverberació de molles. (Photo credit: Wikipedia)
When using a guitar ambience, or any effect during worship, you don’t want the focus to be on you or your crafty sound, but rather the prayer, meditation, or sermon you’re augmenting. The ambience serves as a foundation & often a transition point for worship no matter where it occurs in the service.
In this setting, to not take any glory away from the Holy Spirit – I keep my ambience settings to not much more than reverb & delay in conjunction with a volume pedal. In my settings below, you’ll notice I do use a mod delay as well as a light, slow oscillating, phaser; however, it’s barely noticeable in the video clip below.
Here is a sum of the settings I use to achieve this effect.
Light Crunch – About 11 o’clock on Drive & Bass, Mid & Treble at 12 o’clock
Spring Reverb – 100% mix, 80% decay, pre-delay about 150ms
Analog Chorus – Speed about 0 or 1 (an extremely low setting), 70% deep, about 50% mix
Analog Delay + Mod about 670ms decay, feed back about 80% (definitely keep high), mod setting (if available) very low 0 or 1, 75% depth, mix 80%
Over the years of playing guitar for worship services/bands, I’ve come across a number of effects and techniques that I’ve incorporated into worship that have proven very effective musically. If you play guitar for your church, even if it’s acoustic, you’re sure to find some goodies here!
Looping – I am the biggest advocate of incorporating this into a guitarist’s repertoire. Loops machines are especially useful with how repetitive the chord progressions are in worship music, it’s super effective to build upon yourself, especially if you’re part of a smaller worship band. But, you have to be tight & stay on that beat!
Phaser – While you shouldn’t turn it completely up in your mix OR make it oscillate too fast, it’s a great way to change the dynamic between a verse and bridge. Personally, I put it at about 50% mix and have it move just above the slowest setting to kinda get that HP (high pass) filter swirly effect.
Say…Wah – The Wah Pedal can be so cliche sometimes BUT, if you use it to simply to change the filter without pushing the pedal up & down so often – it offers a great texture change, especially in combination with a delay. Zakk Wylde has been known to keep the wah completely forward to give his solos more presence.
Swell – There are single effect units that accomplish this, but I’ve found using a delay & a volume pedal (or even your volume knobs) works great. This is great during response times while the pastor is still speaking or even above a slow but solid bass & drum foundation.
Tremelo like a Rhodes – If you’ve ever heard a Rhodes Piano using tremelo, you know what I’m talking about. It’s very easy to make a clean guitar sound like this using a Bias tremelo effect. – Probably one of the most unique & accessible things you can do to help bring people to the intimate place in worship. – Here’s an audio reference of a Rhodes – ‘Portishead – “Roads“
Harmony – One of two ways you can do this. Harmony FX are manufactured as single pedals and are even part of multi-fx pedals like my POD HD300. You can change the key and should be able to seamlessly perform melodies with automated 3rds, 4ths, octaves..whatever. Another way to do is – refer back to #1 – Play a melody – loop – play its harmony & booyah!
E-Bow – A wonderful invention. Period. The E-Bow is a device you use, almost like a pick; however, only above the strings over the pickups to create a controlled-feedback of sorts. The result is almost like a synthesized string sound. Indeed, it’s a cool tool for the guitarist seeking a wider palette. Here’s a video reference – Phil Keaggy – Amazing Grace
Sonar Style Delay – It’s hard for us guitarist to simplify things sometimes… perhaps only playing one note every 2 measures? Achhh- BUT it’s effective, especially using a delay that’s in sync with the tempo. Minimalism has its advantages – and gives you a lot of room to grow. Check out the use of the single note delay used above the band’s texture in Hillsong Live’s – Love Like Fire
Octave Displacement – What? Oh, A Whammy Pedal – Very similar to a wah pedal in its physical feel, it controls pitch. Oftentimes, the pedal/effect will allow you to choose the range, such as octaves, 5ths, sub-octave. It isn’t all that practical for chords, but it sings so well and is a game changer for single-note melodies and solos!
Slide it! – I most certainly don’t hear enough guitarists implement this into their playing, and you don’t have to play country or blues to appreciate it. What other way can you totally negate the fact that you have frets? That’s a huge texture change & it can be implemented with any number of effects. In fact, John Mark McMillan’s ‘How He Loves‘ often features a slide.
Do you have effects or techniques you use to switch things up in praise of the King? Even if it isn’t for guitarists explicitly, Don’t forget to share it!