Distortion in Worship | Crafting that Perfect Guitar Tone

Hitting that distortion button may be tricky business if you’re afraid it may be ‘too heavy’ or

Description unavailable

Description unavailable (Photo credit: dominic bartolini)

‘too loud’ for your congregation; especially playing in a band that is highly improvisatory & dependent on the Holy Spirit. Here are some things I try to develop in my guitar tone to best suit the needs of the band & congregation.

  • Clarity – Can you distinguish all 6 strings in a bar chord? If not, your distortion may be either too heavy, grainy, or saturated. Get it to that point where it sounds clear & resonant at the hardest you’ll be playing.
  • Sustain – How well do your single notes carry? In other words, how long does the note last after you’ve picked it and you’re still depressing the string to the neck? If you have trouble keeping your gain/distortion low enough for clarity, yet maintaining a decent sustain, try pairing your distortion with a good-sounding reverb or tape-delay.
  • Warmth – As a preference – I like warm guitar tones better – and it will vary between your amp + whatever effects/distortion you’re using. Be aware of those ‘low,’ ‘mid,’ and ‘high’ knobs; they do work in crafting the tone that suits your needs.
  • Versatility For getting the most out of a distortion – I like to use velocity as a variable. Velocity is more of a synthesizer/midi term meaning how hard you attack/pick/articulate the note. In this instance, playing with more velocity will create a heavier distortion & less velocity will yield a cleaner sound (less distortion)  I feel having this characteristic in a distortion to be favorable because of the following;      1). I’m not pressing so many stomp boxes for every song section.                                2). I can easily adapt to the improvisation & fluctuation of dynamics during worship just by changing how hard I’m playing.                                                                        3). I can focus on changing effects (chorus, delay, phaser) for subtle changes instead of the abrupt & sometimes awkward & unfitting heavy/soft distortion.
  • Buzzless – Stay away from distortion units/effects that cause a buzz whenever you
    SWR BASS 350 RedFace

    SWR BASS 350 RedFace (Photo credit: jovino)

    stop playing. There’s no better way to sound like an amateur or distract others from worship than with an annoying buzz. Also, in regards to this – other causes of such buzz may be your amplifier, pickups, occasionally bad cables, and even cellphones (a la, Blackberry often causes radio interference near cables, amps, & other audio equipment).

In terms of what distortions I really enjoy, check out the below couple of links for some really good & favorable examples.

Jesus Culture – Rooftops

Michael Ketterer – You’re Beautiful

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One thought on “Distortion in Worship | Crafting that Perfect Guitar Tone

  1. Pingback: Ambience | A New Role For Guitar in Worship | Johnny Newman: Worship Musician

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